In this series, I continued the previous style and made the pictures full of narrative. Keep the picture alive with rich colors. I took parts of the human body and created them separately. 001 was my first attempt at deconstruction, but I didn't choose a very blunt technique and kept the fleshy feeling of the picture. The name 001 represents both the first painting in the series and the distance. In the picture, the distance between the human face and the railway track, the distance between the railway track and the mouse, the distance between the mouse and the match, the distance between the match and the flame, the distance between the flame and the smoke, the distance between the smoke and the mouth, the distance between the mouth and the face, and finally the distance between the human face and the railway track, seems to be in contact, but also seems to be separated by 001. I added a lot of details in this picture, the reflection in the eyes, the tears, the movement of the mouse and so on. I am a human being in this series, and this is a work that I return to my heart. I started out as a problem theorist. I like to ask questions to the audience and make the pictures interesting. What I want to discuss in this series is the distance between people and themselves. I chose to depict the part, which seems to be the closest of the three, but I used the largest number. Beyond the distance between people and people, more distant is the distance between themselves.