Tracey Emin, Mother, 2017, acrylic on board, 20 x 25 cm. Courtesy: the artist and Xavier Hufkens, Brussels; photograph: HV-Studio
Tracey Emi, It was all too Muc, 2018, Acrylic on canva, 182.3 x 182.3 cm © Tracey Emin. All rights reserved, DACS 2018. Photo © White Cube (Theo Christelis)
Tracey's work is an expression of diary style, and if all her works are put together, it looks like an autobiography of her. Trish is obsessed with storytelling, and her writing is often filled with scraps of her handwritten words that appear in a perverse way, complete with Trish's trademark misspellings and word order, as a self-contradictory but unequivocal statement of existence.
Tracey Emin, Mother, 2017, acrylic on board, 20 x 25 cm. Courtesy: the artist and Xavier Hufkens, Brussels; photograph: HV-Studio
Tracey Emi, It was all too Muc, 2018, Acrylic on canva, 182.3 x 182.3 cm © Tracey Emin. All rights reserved, DACS 2018. Photo © White Cube (Theo Christelis)
Tracey's work is an expression of diary style, and if all her works are put together, it looks like an autobiography of her. Trish is obsessed with storytelling, and her writing is often filled with scraps of her handwritten words that appear in a perverse way, complete with Trish's trademark misspellings and word order, as a self-contradictory but unequivocal statement of existence.